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Folky Fridays

Folky Fridays #18 – Guitar chord options for classic Irish session tunes, with special guest Alexa

I have a special guest in this week’s Folky Fridays free Celtic guitar lesson from Folk Friend! My mum Alexa, from whom my love of Irish music stems, will be joining me to play some classic session tunes. I’ll also be showing you lots of ways to vary standard chord and strumming patterns and covering all the shapes I use for each set.

Here is a list of all the tunes we played (they are under the names my mum knows them by- some of them have several others!):

The Lonesome Jig – D ionian

The Roaring Barmaid – G ionian

The Mushroom Treatment – A mixolydian

Taylor’s Rambles – A mixolydian / A dorian (possibly not the standard version you would hear)

Reaping the Rye – E aeolian

The Butterfly – E aeolian

Light and Airy – A mixolydian

Christy Barry’s (?) – G ionian

The Donegal Lass – A mixolydian

The Old Flail – G ionian

Porthole of the Kelp – E aeolian

Unknown (recorded by Carty & Tully) – A dorian

The Old Bush – D mixolydian (starts on an Am chord)

O’Gallagher’s Frolics – E aeolian

Sean Ryan’s (widely known as The Castle- this is arranged in my Fingerstyle book available on the shop page) – E aeolian

The Spotted Dog – A ionian

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Artist interviews DADGAD Fingerstyle

Folk Friend presents : Writing fingerstyle in DADGAD with special guest Jordan Lively

A few months ago I released a book of fingerstyle arrangements and soon after I ran a competition, in which I encouraged viewers to submit their own. One of the entries was from Jordan Lively, and it was so good that I thought it would be interesting for other Folk Friend viewers to hear him talk about how he writes his Irish fingerstyle arrangements and some of the playing techniques he uses.

Jordan has very kindly provided a free tab for the arrangement of Whelan’s Old Sow: https://drive.google.com/drive/folders/1q5cyVQYUwurUGJAv_ceX-SGBXmGxir1Y?usp=sharing

If you want to find more of Jordan’s music, then check out his Facebook page: https://facebook.com/jordanlivelymusic

Here you can watch Jordan’s duet with the fantastic harpist Catherine Magee: https://www.facebook.com/167930823860401/posts/600620417258104/?sfnsn=scwspmo&extid=OQP7fmPS0mStOQTn

Jordan has lessons with Tony McManus- I’ve linked some of his recordings below along with Michelle Mulcahy, the harpist whose tunes we talk about later in the clip.

Tony Mc Manus’ album The Makers Mark: https://amzn.to/34Lg7ua 0

Suaimhneas album, by Michelle Mulcahy (source for the two tunes mentioned later in the clip): https://amzn.to/2YEFqdL

In other news, I recently finished writing a complete Beginner’s Guide To Celtic DADGAD Accompaniment! You can find it here.

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Uncategorized

How to play Out On The Ocean on Irish fingerstyle guitar

This week I’ll be looking at an arrangement of an Irish jig I wrote for fingerstyle guitar in drop D tuning; the tune is called Out On The Ocean. This is a very popular session tune in D ionian (or D major) and appears in my collection of Irish tune arrangements, “Irish Tunes For Fingerstyle Guitar”.

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Strumming patterns

Learn an easy rhythm variation for Celtic jigs on DADGAD or standard guitar

In this week’s free Irish guitar lesson from Folk Friend, I’ll be showing you a simple rhythmic variation for jigs which will really enhance your Celtic backing guitar! I’ll also be showing you how to apply it using linking chords to create a smooth chord progression between a major chord and its related minor chord. The demonstrations in this acoustic guitar tutorial use DADGAD tuning (including diagrams for DADGAD chords), but I’ll also show you how you could use the same techniques in standard (EADGBE) tuning.

 

I recently finished writing a complete Beginner’s Guide To Celtic DADGAD Accompaniment! You can find it here.

Categories
Strumming patterns

How to play an easy reel rhythm variation for Celtic guitarists in DADGAD and standard tuning

In this free Celtic backing guitar lesson from Folk Friend I’ll be showing you how to vary your reel strumming patterns by using off-beat chord changes to make your playing smoother and more funky and add drive to the melody! I’ll be demonstrating the chords in both DADGAD and standard tuning, and applying the theory using my playalong video for the classic Irish reel Maid Behind The Bar, which you can find here.

I recently finished writing a complete Beginner’s Guide To Celtic DADGAD Accompaniment! You can find it here.

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Free playalongs

Maid Behind The Bar – slow, medium and fast playalong track for guitarists with on-screen chords

Here is the second playalong video from Folk Friend! This one is a classic Irish session reel called Maid Behind the Bar. Following some user feedback I changed the chord order in this one. You will now get two rounds of the slow version with simple chords and two with substitutions. This will be followed by two rounds at medium speed with simple substitutions and two with more advanced, jazzy chords. The fast version then does the same.

If you like this playalong, you can now get the full pack of 20 by becoming a Folk Friend member!

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Folky Fridays Jazz chord theory

Folky Fridays #24 – Borrow chords from Latin American music and use them to accompany Celtic tunes!

This week’s Folky Fridays free Celtic guitar lesson live stream will be on a topic which I absolutely love: borrowing chord progressions from Latin jazz music and using them to come up with unusual but cool sounding accompaniments for Celtic tunes! I’ll be talking about the 69, dominant 13 and altered dominant chord voicings (amongst others) which are in lots of south American music, particularly in bossa nova, and showing you some simple ways to integrate these peppery chords into you Celtic backing guitar!

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Folky Fridays

Folky Fridays #25 – A first glance at partial capo techniques for Celtic / Irish backing guitar

In this week’s episode of Folky Fridays from Folk Friend, I’ll be giving you a first glance at partial capoing techniques you can use to get ethereal, tinkly chords with big ringing bass notes! These techniques all use a standard capo and can really enhance the range of cool chords you can get using standard chord shapes which you will already have used for Celtic guitar backing. I will be expanding on the topics covered in this free Celtic guitar lesson live stream in the forthcoming partial capo-ing video which will be up on the Folk Friend channel in about three weeks.

This video only requires a standard six-string capo. If you would like to buy one then please support the channel by buying one directly from my guitar shop, here.

I also used the 7th fret partial capo technique in my arrangement of The Castle Jig, also commonly called Sean Ryan’s (E dorian). It appears in my book of fingerstyle arrangements of Irish tunes, Irish Tunes For Fingerstyle Guitar, available on the shop page of this site!

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Chord scales for modes

How to change chords fast on Celtic backing guitar! Quick change chord scales part 1 – C major

In this week’s free Irish / Celtic guitar lesson from Folk Friend, I’ll be showing you a “quick change chord scale” for C major and its related modes, D dorian, G mixolydian and A aeolian. The idea is that using these easy Celtic guitar chord shapes you will be able to create fluid movements between chords in any of the above keys. Chord scales can be used to provide links between chords or even as ready made chord progressions in their own right.

There are two more videos in this series, dealing with:

Part 2: G and D major and related  modes

Part 3: A major and related modes

 

Categories
Chord scales for modes

Easy chord shapes for Celtic guitar- how to change chords quickly in G and D major

This free Irish guitar lesson from Folk Friend covers the “chord scales” for G and D ionian. These are super easy chord shapes for backing guitarists, which fit with Irish and Celtic tunes in these keys and can easily be played together at speeds. They also create nice runs of linking chords and will work in the other modes related to D major and G major; A dorian, D mixolydian and E aeolian for G and E dorian, A mixolydian and B aeolian for D.

You can learn more about the modes with an Amazing Mode Wheel, in my first book, Backing Guitar Techniques For Traditional Celtic Music, or on my free blog here.

There are two other videos in this series, dealing with:

Part 1: C major and related modes

Part 3: A major and related modes

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